Lace Challenge 5

Sampling Something New

Arthiss Kliever : Hardanger Dove's Eye

Background:

Last summer, after a back injury prevented me from bending over my bobbin lace pillow, I tried Hardanger lace, sometimes called Hardanger embroidery. Since Hardanger, like tatting and knitting, can be worked in the hands, without the need for leaning over a table or pillow, I could work on it comfortably. Using Janice Love’s book Hardanger: Basics and Beyond, I taught myself the basic Hardanger techniques of kloster blocks, blanket stitches, eyelets, cutting, and wrapped and woven bars.

 

Challenge:

Since this year’s challenge was to try a new stitch, I decided to learn the Hardanger Dove’s Eye. The Dove’s Eye is a lacy filling used in the empty squares formed by kloster blocks and wrapped or woven bars. To work the stitch, you wrap or weave three and ½ sides of the square, and then loop the thread around the square through the center of the kloster blocks or bars. When back where you started, you finish wrapping or weaving the final bar.

 

Samples:

I made my first sample using wide weave 18-count aida cloth, with threads of a contrasting color (#5 perle coton for kloster blocks and #8 perle coton for the decorative stitches), so that I could more easily see what I was doing.  You can see how the #5 thread was not quite thick enough for the kloster blocks to be totally solid on this larger weave.

I then made a sample of the same design on a more traditional 24-count linen, with the same size threads in the same color as the fabric. This is how the Dove’s Eye would typically look as part of a larger Hardanger design.

 

This was a fun challenge. I am pleased with the result and will definitely incorporate the Dove’s Eye in any Hardanger project I design in the future.   

Pam Tucker: Sampling Small Snowflakes

Pam planned to make Dieppe Ground, C T P C T T, 

but she realized that what she was actually doing was C T P C T C which makes small snowflakes.  

Melanie Cervi: Sampling the Treble Tatting Stitch

This is one of three samples Antonina Caruso shared in her Tatting Treble Stitch summary 

https://ninettacaruso.blogspot.com/p/blog-page_95.html  .  

It is worked in some leftover Omega cotton thread, size 30 I found in a sale bin many, many years ago.  The motif is worked in one round with Treble Tatting Stitches worked on the main rings. The small rings are worked as TOR (Thrown Off Rings) with a second shuttle. 


I see great possibilities for this technique as it looks a bit to my eye like a triad stacked up on a staff in music. For those with sharp eyes, you will notice two repeats do not have a full compliment of stitches, my "design variation" that I will not try to repeat!


 I hope you enjoy learning about this wonderful tatting designer. 

Melanie Cervi, California

Sally Olsen: Sampling Modern Grounds

Tla (Inuit name for snow) from Using Modern Grounds by Michèle Kelly